Watercolour & Gouache on Paper
Signed
Size (inches) : 19 (h) x 25 (w)
Size (cm) : 48.26 (h) x 63.5 (w)
View on background colour: Dark Graphite
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This energetic scene pulsates with the chaos and excitement of a racetrack. Figures of jockeys aboard galloping horses are depicted with sweeping, dynamic strokes. Bold hues, reds, greens, and yellows, contrast against swift, slashing lines of motion, evoking speed, anticipation, and the blur of movement. The painting captures not details, but the essence of the race in progress. Lightning kinetic energy rendered with emotional economy and visual rhythm. Paul’s bracing, gestural strokes and flattened planes prefigure the later Abstract Expressionist movement - yet they are anchored here in recognisable form: horses, riders, and spectators in motion. Diagonals, zigzags, and abbreviated forms create a sense of urgency. The visual field is charged, as elements overlap and interweave, mirroring the tumult of a live race. At the Races distills the essence of speed and social spectacle through abstraction. Rather than documenting a literal moment, Paul communicates atmosphere, energy, and drive—through strokes, bold palette, and evanescent form. This fabulous piece is more than a depiction of sport - it’s a rhythmical composition, a joyous, pulsating visual note that conveys both mood and movement. In this painting, the Derby, the jockey, and the crowd all dissolve into the painter’s fervour. Captured in electrifying brushwork and visceral colour.
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This energetic scene pulsates with the chaos and excitement of a racetrack. Figures of jockeys aboard galloping horses are depicted with sweeping, dynamic strokes. Bold hues, reds, greens, and yellows, contrast against swift, slashing lines of motion, evoking speed, anticipation, and the blur of movement. The painting captures not details, but the essence of the race in progress. Lightning kinetic energy rendered with emotional economy and visual rhythm. Paul’s bracing, gestural strokes and flattened planes prefigure the later Abstract Expressionist movement - yet they are anchored here in recognisable form: horses, riders, and spectators in motion. Diagonals, zigzags, and abbreviated forms create a sense of urgency. The visual field is charged, as elements overlap and interweave, mirroring the tumult of a live race. At the Races distills the essence of speed and social spectacle through abstraction. Rather than documenting a literal moment, Paul communicates atmosphere, energy, and drive—through strokes, bold palette, and evanescent form. This fabulous piece is more than a depiction of sport - it’s a rhythmical composition, a joyous, pulsating visual note that conveys both mood and movement. In this painting, the Derby, the jockey, and the crowd all dissolve into the painter’s fervour. Captured in electrifying brushwork and visceral colour.