Edward Seago’s paintings represent some of Britain’s finest examples of Impressionism from the 20th Century. Seago was one of the most respected and beloved landscape painters of his time. His ability to convey mood through light, atmosphere and delicate brushwork earned him a devoted following. This included members of the British royal family, such as Prince Philip, and his art has been exhibited worldwide.
Born in Norwich on 31st March 1910, Seago was the son of a local coal merchant. At a young age he painted as he was often confined at home with a heart condition. He joined the Royal Drawing Society and won an award at the age of 14. The artist is often considered self-taught, although he did receive guidance from Royal Academician Bertram Priestman (1868-1951).
Edward Seago art became known for evocative landscapes and maritime scenes. His paintings capture the natural beauty of rural England, as well as the grandeur of Paris and Venice. His inventive use of oils and watercolours is instantly recognisable. His work shows a blend of technical mastery and emotional depth, showcasing his love for nature and the outdoors. The colour palette was generally muted and natural, favouring soft earth tones, greys and blues. These captured the subtleties of light and weather, conveying a sense of calm, the fleeting beauty of a sunset and even the brooding power of a storm.
Seago was also involved in the publication of many books throughout his career. In 1934 he published a book entitled ‘Sons of Sawdust’ which told of circus life in Western Ireland. Forty-two of his paintings were used to illustrate a collection of poems by John Masefield in 1936, as well as in 1937 and 1942. Seago also wrote books related to the World Wars, and an autobiography entitled ‘A Canvas to Cover in 1947’. During the Second World War Seago served with the Royal Engineers and painted in Italy with Field-Marshall Lord Alexander.
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